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  <title type="text">Rhode Tour</title>
  <updated>2026-04-17T19:57:12+00:00</updated>
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    <title type="html"><![CDATA[Acushnet Mills Housing (Partially demolished)]]></title>
    <summary type="html"><![CDATA[<img src="https://rhodetour.org/files/fullsize/4d4a5c00921b29975237b1018063ad35.jpg" alt="Child Workers at Acushnet Mill, 1911" /><br/><p>Shortly before nine o’clock on the morning of February 27, 1897, a 16-foot boiler at Acushnet Mills exploded. Flying debris nearly demolished a building a quarter of a mile away, and a large piece of the boiler crashed through the roof of the south end police station 700 feet away. The sound of the explosion caused panic among the employees of the mill, sending them rushing for the stairways. Two workers were killed in the explosion: Manuel Mendoza, a boiler stoker, and Arthur Aspen, who worked in the loom harness room a short distance away.
According to one account, “a piece of the boiler weighing half a ton released itself from the power house and with a velocity as swift as a cannon ball went flying through the air above the homes of numbers of the mill employees, and found a landing place several hundred feet away.”
The homes referenced in this account were likely the housing that Acushnet Mills constructed for its employees shortly after its incorporation in 1881. Built in two rows of eleven houses with their gable ends facing Blackmer Street, the Acushnet Mills tenements more closely resembled single-family homes in middle class parts of the city than the double-houses or “four tenements” built by Wamsutta and Potomska Mills. The two-and-half story buildings included two apartments of six rooms each. Two additional one-and-a-half story tenements stood around the corner facing Front Street.
At the time of the explosion, Acushnet Mills was operating day and night to fill orders, and the company repaired the damage of the city’s largest boiler explosion as quickly as possible. In the 1920s, Acushnet Mills modernized its operations to counter a regional textile downturn, but in November 1929 the company began to sell its machinery. By 1932, the mill buildings had been demolished.
Only three Acushnet Mills tenements remain: at 98 Blackmer Street, and 424 and 426 South Front Street, the latter one built later than the others, between 1906 and 1911.</p><p><em><strong><a href="https://rhodetour.org/items/show/144">For more (including 3 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-03-16T20:30:11+00:00</published>
    <updated>2026-04-17T19:57:12+00:00</updated>
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    <author>
      <name>Ron M. Potvin</name>
    </author>
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  <entry>
    <title type="html"><![CDATA[The Celebrity Club: Best Jazz in Providence: The Celebrity Club]]></title>
    <summary type="html"><![CDATA[<img src="https://rhodetour.org/files/fullsize/816f2a6771641c966d723fac1c1b1a37.jpg" alt="Celebrity Club exterior" /><br/><p>On November 18, 1949, at 56 Randall Street, in the mostly poor, mostly black, Randall Square neighborhood, local African Americans crowded into the new Celebrity Club bar. It wasn’t quite finished, but the crowd didn’t pay much attention to the details of interior decoration as it took in, according to historian Jason McGill, “the sounds of the first of innumerable jam sessions featuring some of Providence’s finest jazz talent.” White jazz lovers also came in to sit at the bar, enjoy the beer, and hear the best music in Providence. </p><p>The Celebrity Club was founded by Paul Filippi, an Italian American who loved jazz, and was eager to make a difference in a segregated city. It was the first interracial club in New England, welcoming black and white musicians and audiences. Before it opened, African Americans in Providence who wanted to listen to live jazz, or even just go out for dinner, had to cram into narrow, crowded black neighborhood clubs or travel to other cities. </p><p>The club was an immediate success. It tripled in size to accommodate over 300 guests. In its heyday, from 1949 to 1960, famous black and white jazz artists played the club, including Duke Ellington, Cootie Williams, and Erroll Garner. It attracted African American community members and Providence’s white elite. The local black newspaper wrote about Nat King Cole’s 1951 appearance: </p><p>"People from all over New England have poured this way into this Randall street house of big name bands. … Judge Dooley and a party of six complimented Paul Filippi on his ability to bring nationally known entertainment to Providence. Other community leaders in the business and professional field are phoning in for reservations."</p><p>In addition to providing blacks and whites a chance to enjoy the best jazz music in Providence, the Celebrity Club worked for racial equality. It maintained, notes historian McGill, “a solid stance of openness and equality,” by providing its performers what one of them called “a musician’s paradise” and paying its African American employees top union wages. </p><p>But not everyone was happy to see a successful interracial club. The Providence police raided it regularly, harassing black club-goers. Filippi sold the Celebrity Club in 1958, and it closed in 1960. A commemorative plaque was erected in 2013 and can be viewed on the east side of the Marriott Hotel where Charles and Ashburton Streets merge.</p><p><em><strong><a href="https://rhodetour.org/items/show/39">For more (including 3 images, 1 audio file,&#32;&amp;&#32;2 videos) view the original article</a></strong></em></p>]]></summary>
    <published>2014-06-11T18:56:43+00:00</published>
    <updated>2026-04-17T19:57:11+00:00</updated>
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    <id>https://rhodetour.org/items/show/39</id>
    <author>
      <name>Yuanyuan Dai</name>
    </author>
  </entry>
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