Amidst the flurry of trains and industry that marked this area during the 19th century was a much needed bucolic retreat, what we now call Burnside Park. Adjacent to the historic transportation hub of Providence, Burnside Park was originally created as a public space in 1892. The park eventually became a convenient downtown space to showcase two large public art works: the Bajnotti Fountain and the statue of notable Rhode Islander Ambrose Burnside.

Dedicated in 1901, the Bajnotti Fountain was a gift from Italian Diplomat Paul Bajnotti to the city of Providence in honor of his late wife, Carrie Mathilde Brown, whose family was prominent in the city. Bajnotti and Brown married in 1876 and spent most of their wedded life in Italy, but maintained strong ties to Providence. After Brown’s death in 1896, Bajnotti erected three monuments in memory of his beloved wife: the Carrie Tower at Brown University, the Pancratiast Statue at Roger Williams Park, and the Carrie Brown Bajnotti Memorial Fountain at Burnside Park. Enid Yandell, a student of Auguste Rodin and a prominent female sculptor at the time, was the only woman to submit a design proposal. She won the competition. The sculpture consists of three allegorical parts. One interpretation states that life is symbolized by the woman, the spirit, symbolized by an angel, and “earthly tendencies” represented by three male figures. Life holds onto the spirit and they are both bound to the earth for eternity––an appropriate memorial for the marriage.

The Burnside statue, dedicated in 1887, commemorates former Rhode Island governor and Civil War general Ambrose Burnside. Born in Indiana, Burnside attended the United States Military Academy, and was eventually stationed at Fort Adams in Newport, Rhode Island. When the Civil War began Burnside raised the 1st Rhode Island Volunteer Infantry Regiment becoming its colonel. He quickly climbed the Union ranks and played important leadership roles in the battles of Antietam and Fredericksburg. Unfortunately, Burnside is not well remembered for his military acumen. Failure at the Crater caused Union general Ulysses S. Grant to order Burnside on “extended leave” effectively ending his military career. Following the war, Burnside served three one year terms as governor of Rhode Island, and remained a popular public figure until his death in 1881. Launt Thompson, a New York sculptor, completed this memorial in 1887. It was dedicated in the park bearing Burnside’s name in 1906. The park is not Burnside’s only namesake, however--the term “sideburns” comes from his instantly recognizable facial hair.

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Created as Exchange Place in the 19th century, Kennedy Plaza stands out in a neighborhood defined by change. It’s served same role for over a century: the city’s central transportation hub. Today, as many as 69,000 people move through the site daily! In addition to being the geographic center of downtown and the main transportation hub, the plaza also serves as the city’s gathering point for civic events. The steps of City Hall make Kennedy Plaza an ideal spot for oration. Thousands of people stood here to listen to President Theodore Roosevelt in 1902, to witness the magical acts of Harry Houdini in 1914, and to see presidential candidate John F. Kennedy in 1960. Following his assassination, Exchange Place was renamed to honor the President in 1964.

Kennedy Plaza is also home to several statues and monuments honoring Rhode Island veterans. The large Soldiers and Sailors Monument recalls Rhode Island’s involvement in the Civil War, including the 14th Rhode Island Heavy Artillery Regiment, an African-American unit. The Hiker Statue commemorates Rhode Islanders’ involvement in the Spanish American War. Today, Kennedy Plaza remains a gathering place for the community, anchored by the Alex and Ani City Center, which features arts and music programming, as well as seasonal roller derby and ice-skating.

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He looks surprised to see her but who can blame him? Goddesses do not often descend from the heavens and communicate with humans. The goddess Liberty hands a spear to a young farmer, still holding his plow. Leave your work in the fields! Take up arms and fight for freedom! History, the future, demands it!

William Granville Hastings (1868 – 1902), an extraordinary young sculptor, designed this classical Civil War memorial, Liberty Arming the Patriot. Gorham Company of Providence cast the memorial in bronze, and it was installed in Park Place in 1897.

Below Liberty and the farmer there is a Union artillery battery, men in the heat of battle, led by Rhode Island’s General Ambrose Burnside at Antietam Bridge. And on either side, two female figures: the Scribe of History, writing on a tablet; and Eternity, identifiable by her fern.

Rhode Island would see over 25,000 men go to battle during the course of the Civil War. Moved by the troops’ service, the Rhode Island Ladies’ Soldiers’ Memorial Association worked for eleven years to raise money to build the memorial, “conducting donations, public subscriptions, and entertainments.”

Many Ladies’ Soldiers’ Memorial Associations developed during and after the Civil War to support the troops, sending clothing, nursing the wounded, raising money for “the cause”, locating the bodies of the dead, and commemorating the fallen troops. Col. Elliott F. Shepard once claimed, “They were the ladies who, if they had been men, would have been soldiers.”

William Granville Hastings was born in Surrey, England, three years after the American Civil War ended. He won awards in art school for his renaissance-style vases, and he moved to Paris, France, to apprentice with artist Jules Dalou, who was known for producing realistic figures. At the age of twenty-three, Hastings immigrated to the United States to work as a designer and sculptor for the Gorham Manufacturing Company in New York. He received the commission for Liberty Arming the Patriot five years later, in 1896.

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All across America people ridiculed and smashed Henry D. Cogswell’s fountains, but this one survives in downtown Pawtucket.

Cogswell – a dentist, millionaire, and crusader in the temperance movement against alcohol – had not always been a wealthy man. Born in Connecticut in 1820, young Cogswell sunk into poverty after his parents died. As a teenager he walked fifty miles to Pawtucket to start work in the mills. He managed to become a dentist, and in 1847 he set up a local practice. Lured to California by the Gold Rush, he made a fortune in real estate.

The newly-minted millionaire assumed an ancestral coat of arms and began to call himself a “capitalist,” but he never forgot his penniless past. He determined to uplift the working class through charitable deeds.

As Cogswell saw it, drunkenness led to pauperism. If poor people had an alternative to alcohol – like clean, cold water to drink – they might renounce liquor. And so, starting in 1878, Cogswell arranged to send free drinking fountains to towns throughout the United States.

Cogswell’s actions might have been well-intentioned, but he made some regrettable design choices. His fountains often came topped with a statue that resembled Cogswell himself. This figure, which he referred to as the “Guardian of the Fountain,” held a scroll in one hand and a glass of water in the other. Engravings at the base commanded passersby to work hard and avoid dissipation.

The fountains proved irresistible targets for vandals. Drunken revelers, rowdy art lovers, and citizens who deemed the statues to be in poor taste all moved to destroy them. Wherever he appeared, the “Guardian” suffered attacks, including topplings with a lasso, lake immersions, and a kidnapping.

When Mark Twain spotted a Cogswell fountain in Rochester, New York, he remarked, “It has a putrid, decomposed sort of a look that is offensive for a delicate organism.” Others agreed. In 1885 an unidentified party dispatched the Rochester statue by bashing it to bits with crowbars.

The Pawtucket fountain escaped the mobs, perhaps because it came decorated with a heron rather than Cogswell himself. Residents welcomed it with speeches and song when it arrived in 1880. The fountain provided water, “God’s Free Gift to Man and Beast,” from high spouts for humans and lower spouts for horses, dogs, and any other animals in need of refreshment. On the foreheads of the cat-like gargoyles, one can still see marks made by rings where drinking cups once hung.

When the fountain became inconvenient downtown, the city transferred it to Oak Grove Cemetery. But mourners deemed it too cheerful for that spot, even after they had the word “Welcome” removed from the bottom of the base. The fountain moved to Slater Park in 1904 before the city finally restored it to its original location in 1990. At that time, a time capsule found embedded at the top of the column yielded soggy papers and an Indian Head penny.

Today Pawtucket’s Cogswell fountain is one of few still in existence. It stands defunct, a monument to a man who excelled at making money but botched giving it away.

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