While the story is set in Newport, many of the scenes were shot at MGM Studios in Culver City, California, with a Bel Air mansion standing in for Newport. The film opens with a scenic flyover of Newport and its Gilded Age mansions including The Breakers and Clarendon Court. While some filming took place in Newport, many scenes filmed there were merely used as establishing shots, but you can definitely see Bellevue Avenue in the background of some driving scenes.  During Rhode Island filming, Grace Kelly stayed on the secluded side of Newport’s coastline at the Castle Hill Inn. Between takes, Kelly would sneak away to its quiet, rocky beach, where she could enjoy some privacy from autograph seekers. Kelly had recently announced her engagement to Prince Ranier of Monaco, and she wore her own engagement ring in the film. Because the climb back up from the beach was difficult, the staff of the Castle Hill Inn built a staircase to accommodate her. Today, the beach still has that staircase built for Kelly, and it is accessible to the public. The location is now called “Grace Kelly Beach.” In the film, the character played by Grace Kelly is wooed by three men including a jazz musician played by Bing Crosby, whose character is in charge of the Newport Jazz Festival in which Louis Armstrong and his Orchestra are to appear. The use of Newport as the setting for the film reinforced the “old money” lifestyle of the main characters. Frank Sinatra and Celeste Holm sing “Who Wants to be a Millionaire” as they explore the opulent home of Kelly’s character. After the opening flyover, the scene changes to Armstrong and his Orchestra in their Greyhound bus, with scenes of Newport in the background. The father of late state Representative Paul Crowley allowed MGM’s crew use his station wagon to secure the camera as they drove down Bellevue Avenue to film this sequence.

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“Chow mein” and “chop suey"—both American appropriations of Cantonese words—have been part of the American English vocabulary since the late 19th century. With the end of mining and railway building as viable industries, Chinese food service establishments, along with hand laundries, became the major economic opportunity available to Chinese immigrants, as well as a crucial site of cultural exchange. Americanized Chinese food became an important part of the food landscape.

Chan’s Fine Oriental Dining, Jazz & Blues first opened in Woonsocket in 1905 as the New Shanghai Restaurant. A Chinese-American restaurant, Chan’s continues to offer variations on chop suey, chow mein, and fried rice.

In 1965, Ben F. Chan purchased the space, refurbished the dining area, and changed the name to Chan’s Fine Oriental Dining. In 1986, the restaurant doubled in size and added jazz, blues, folk, cabaret, and comedy performances. The space hosts acclaimed musicians while also providing familiar food options for locals.

A notable regional specialty is the chow mein sandwich, an amalgam of French Canadian, Italian, and Chinese cultures. Popularized in the predominantly Catholic towns of Fall River, New Bedford, and Woonsocket, Chinese restaurants and food trucks offered meatless sandwiches on Fridays in observance of religious strictures. The chow mein sandwich is served on a hamburger bun with noodles and a brown gravy made with onions, celery, and bean sprouts. An affordable and filling lunch option for textile mill workers, the chow mein sandwich also appeared in school cafeterias and on lunch counter menus. The sandwich signals the adaptation of traditional Cantonese cuisine to the tastes of Anglo-Americans.

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On November 18, 1949, at 56 Randall Street, in the mostly poor, mostly black, Randall Square neighborhood, local African Americans crowded into the new Celebrity Club bar. It wasn’t quite finished, but the crowd didn’t pay much attention to the details of interior decoration as it took in, according to historian Jason McGill, “the sounds of the first of innumerable jam sessions featuring some of Providence’s finest jazz talent.” White jazz lovers also came in to sit at the bar, enjoy the beer, and hear the best music in Providence.

The Celebrity Club was founded by Paul Filippi, an Italian American who loved jazz, and was eager to make a difference in a segregated city. It was the first interracial club in New England, welcoming black and white musicians and audiences. Before it opened, African Americans in Providence who wanted to listen to live jazz, or even just go out for dinner, had to cram into narrow, crowded black neighborhood clubs or travel to other cities.

The club was an immediate success. It tripled in size to accommodate over 300 guests. In its heyday, from 1949 to 1960, famous black and white jazz artists played the club, including Duke Ellington, Cootie Williams, and Erroll Garner. It attracted African American community members and Providence’s white elite. The local black newspaper wrote about Nat King Cole’s 1951 appearance:

"People from all over New England have poured this way into this Randall street house of big name bands. … Judge Dooley and a party of six complimented Paul Filippi on his ability to bring nationally known entertainment to Providence. Other community leaders in the business and professional field are phoning in for reservations."

In addition to providing blacks and whites a chance to enjoy the best jazz music in Providence, the Celebrity Club worked for racial equality. It maintained, notes historian McGill, “a solid stance of openness and equality,” by providing its performers what one of them called “a musician’s paradise” and paying its African American employees top union wages.

But not everyone was happy to see a successful interracial club. The Providence police raided it regularly, harassing black club-goers. Filippi sold the Celebrity Club in 1958, and it closed in 1960. A commemorative plaque was erected in 2013 and can be viewed on the east side of the Marriott Hotel where Charles and Ashburton Streets merge.

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